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Written in twenty parts with five Nepal Mandalas—polemical writings about the history of the country and its people—the book draws back its influence upon the circular journey of a monomyth, the archetypal hero. The hero goes on an adventure, struggles against many decisive disasters, is victorious, and returns home transformed. That is the basic premise of the 1871’s Joseph Campbell’s concept of a monomyth, which was heavily influenced by Carl Jung’s view of myth and collective unconsciousness. Contrasting that idea of the monomyths, meanymyths (a neologistic term) takes on minor characters, mostly flat and static, who do not learn any valuable lessons throughout the hero’s journey, nonetheless act as foils, deepening the former’s character traits and dimensions.